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| Time Changes. She is transported to her past. | |||||||||||||||||||
| EXT. Cemetary. Night. Medium Shot. The Antagonist is deep in thought as she is smoking on the bridge. | |||||||||||||||||||
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| EXT. !920s Street. Day. Long shot. Camera follows her as she walks to the car. | Body Shot. She walks to the car and gets in it. | ||||||||||||||||||
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| Over The Shoulder Shot. She is sitting inside the car and looking outside as her driver drives the car. | Zooms from Close up to Extreme Close Up.SFX:Car screeching as the woman screams. | ||||||||||||||||||
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| EXT. Cemetary. Night. Extreme Close Up. SFX: Screeching tires end with a fatal crash noise. | She is taken off guard by the little girl as she starts talking to the antagonist. | ||||||||||||||||||
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| She regains her cold composure | |||||||||||||||||||
| NCSA School of Filmmaking. Film Storyboarding Class Project Shadow Falls: "TimeWarp" Scene. Screenplay by Everett Woods. Storyboards. 2002. |
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